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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”

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Last updated 02 junho 2024
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) To Bind in Admiration all who Gaze
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Fixed in Place(s): Vernon Lee and Haunted Art
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) To Bind in Admiration all who Gaze
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
Timeline: Perception and aesthetics
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
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